Formed in 2012 by Deejay Big Reeks, The Waxaholics started as a collective of vinyl enthusiasts built on hard work, sharp strategy, and a real team. The same way we lug crates and dig through records every week, we take the detailed route in everything.

For over a decade we've been Houston's premium vinyl-driven collective, trusted by Google, Nike, HBO, and the NFL, and celebrated by audiences who demand excellence.

We don't curate playlists. We craft moments that become memories, backed by real records spun by real DJs.

We bring more than sound. From inception to execution, we bring the audience, the venue relationships, and the industry connections that make an event land.

Brand activations and corporate events. Curated community events, festivals, and fundraisers. Nightlife residencies that have shaped Houston's scene for over a decade. Weddings and private celebrations, anywhere in the world.

Every one starts the same way: we listen, we adapt, and we deliver a vibe that's true to you and to the culture.

Led by Deejay Big Reeks, The Waxaholics have shared stages with some of hip-hop's most legendary turntablists and producers, earning respect through years of dedication to the craft.

We've performed alongside the pioneers who shaped the culture and built relationships with the artists defining it now. We've worked with the Rockets, the Astros, and the Texans, and when entertainment executives and high-profile clients need world-class entertainment for a private event, we're the call.

Our reputation runs on three things: consistency, deep musical knowledge, and the instinct to read any room.

Our work speaks through the stages we've commanded and the moments we've soundtracked.

Google, Nike, Spotify, HBO, GQ, Amazon, and Airbnb. Pepsi and Gatorade. Jameson, Grey Goose, and Jim Beam. Chase, Bank of America, and Shell. The NFL, the Rockets, the Astros, and the Texans. And close to home, the City of Houston.

Brand activations and product launches. Award shows and industry celebrations. Festivals drawing hundreds of thousands, and private rooms of a few dozen.

These aren't gigs. They're chances to shape culture and leave something behind after the music stops.